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Coriolanus (The Pelican Shakespeare)
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Review
“Gorgeous new Shakespeare paperbacks.” —Marlon James, author of A Brief History of Seven Killings“I have been using the Pelican Shakespeare for years in my lecture course--it's invaluable, the best individual-volume series available for students.”—Marjorie Garber, William R. Kenan, Jr. Professor of English and Visual and Environmental Studies, Harvard University
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About the Author
William Shakespeare was born in Stratford-upon-Avon in April, 1564, and his birth is traditionally celebrated on April 23. The facts of his life, known from surviving documents, are sparse. He died on April 23, 1616, and was buried in Holy Trinity Church, Stratford. A. R. Braunmuller is Distinguished Professor of English and Comparative Literature at the University of California at Los Angeles. He has written critical volumes on George Peele and George Chapman and has edited plays in both the Oxford (King John) and Cambridge (Macbeth) series of Shakespeare editions. He is also general editor of The New Cambridge Shakespeare. Stephen Orgel is the Jackson Eli Reynolds Professor of the Humanities at Stanford University and general editor of the Cambridge Studies in Renaissance Literature and Culture. His books include Imagining Shakespeare, The Authentic Shakespeare, Impersonations: The Performance of Gender in Shakespeare’s England and The Illusion of Power.
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Product details
Series: The Pelican Shakespeare
Paperback: 192 pages
Publisher: Penguin Classics (April 10, 2018)
Language: English
ISBN-10: 014313227X
ISBN-13: 978-0143132271
Product Dimensions:
5.1 x 0.5 x 7.8 inches
Shipping Weight: 5.3 ounces (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
1 customer review
Amazon Best Sellers Rank:
#233,146 in Books (See Top 100 in Books)
“Coriolanus†is a Shakespeare that I feel is underappreciated. Like in his “Julius Caesarâ€, the Bard has captured the momentum and the irony of political life in a manner that is celebratory and derisive at the same time.I gave "Coriolanus†a 4 star rating compared to other Shakespeare, not to literature as a whole. The Bard is in a class of his own.In this edition the Introduction by Jonathan Crewe includes intriguing ideas about homoerotic hyper masculine warrior culture and also speaks of the play’s significance in a Roman and contemporary (Shakespeare’s contemporary-early 1600s England) context. However, it is a long intro and a little heady at times and not a particularly enjoyable read. But, it was a valuable read.The plot of this text (in short) is that Coriolanus is a warrior hero of Rome and is in line for the Consulship (leader) of Rome, but tradition has it that he must go to the common folk and ask their permission. This is a task he is loath to do, and the Tribunes of the people use this against him in stirring up the rabble. And the story takes off from there. As I read this play I kept vacillating between being irritated and admiring of Coriolanus’s blunt honesty and his ridiculous unwillingness to temper his words and thoughts for those he considers social inferiors. Shakespeare is asking us in this play what we prefer from our leaders. Do we want their flattering, their disdain (if they have the skills to lead), etc. It is a very relevant question, especially today. Look at the American election of 2016, or the critics of Canada’s Prime Minster who find his policy lacking but his personality thriving. There are many examples all around the world today.The text boasts some interesting characters besides the titular Coriolanus. The two Tribunes of the people are manipulative, but their motives could be pure, the roman senator Menenius Agrippa is a role a skilled actor could leave a mark on, and Coriolanus’s relationship with his archenemy Aufidius is homoerotic in its language. Then there is Volumnia, the mother of Coriolanus who when she is on stage dominates the play. The recent professional production I saw recognized this fact, and Volumnia was clearly an audience favorite. She is another ambiguous, larger than life character in the Shakespeare canon.The Pelican editions of Shakespeare contain some simple yet informative essays, “Theatrical World†& “The Texts of Shakespeare†that preface every play in this Pelican series. They are worth a read.As for the Pelican Shakespeare series, they are one of my two favorite editions since the scholarly research is usually top notch and the editions themselves look good as an aesthetic unit. It looks and feels like a play and this compliments the text's contents admirably. The Pelican series was recently reedited and has the latest scholarship on Shakespeare and his time period. Well priced and well worth it.
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