Download PDF Close to the Knives: A Memoir of Disintegration, by David Wojnarowicz
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Close to the Knives: A Memoir of Disintegration, by David Wojnarowicz
Download PDF Close to the Knives: A Memoir of Disintegration, by David Wojnarowicz
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From Publishers Weekly
The New York-based visual artist and AIDS activist whose work has been targeted by Jesse Helms and the Rev. Donald Wildmon as obscene debuts here with a collection of writings marked by stunning originality and sharp polemics. The alternation of poetic observations of a desolate, at times dissolute life on the road and in squalid urban settings with indictments of a homophobic "establishment" might at first appear ill-advised; soon, however, it becomes clear that Wojnarowicz's visual and verbal gifts are inextricably bound to his experience as a homosexual in an American underclass. In images, rhythms and verbal textures that often seem like written analogues to his paintings, Wojnarowicz displays an ability to capture the insensate beauty of much of the American landscape, and light it with a burning human hunger: "Down along the service road the prehistoric silhouettes of sixteen-wheel rigs ground their gears in the blackness. . . . As each cab swung by me there was a video blaze of tiny green and red ornamental cab lights framing the darkened windows containing a momentary fractured bare arm or dim face filled with the stony gaze of road life." In the course of this memoir, the author cooly sketches the outlines of a troubled adolescence--parental kidnapping, drug use, prostitution--making survival alone seem miraculous. What Kerouac was to a generation of alienated youth, what Genet was to the gay demimonde in postwar Europe, Wojnarowicz may well be to a new cadre of artists compelled by circumstance to speak out in behalf of personal freedom. This is a book sublime in poetry, fierce in outrage. Author tour. Copyright 1991 Reed Business Information, Inc.
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From Library Journal
Wojnarowicz is a controversial contemporary artist who drew national attention when the NEA withdrew a grant for the artist's gallery, Artist's Space, in response to the lacerating essay he wrote about AIDS to accompany the show. He later sued the Reverend Donald Wildmon for copyright infringement and misrepresentation for using excerpts from his works when testifying before Congress. The book deals with subjects that arouse varied responses but rarely indifference. This very angry young man, the product of a lifetime of abuse inflicted by himself as well as others, is a traveler on the road to emotional and physical disintegration. Neither an autobiography nor essays, the work consists of segments, of incidents and images, some outrageous, some moving. It is an attempt to afford the reader a glimpse into outsider society but does so in a way that seems to aim more at alienation than amity. There is great pain here and a plea for compassion, but the rage and fear of which he accuses the establishment seems as much an echo of his own voice as it is of outside reality.- Paula Frosch, Metropolitan Museum of Art Lib., New YorkCopyright 1991 Reed Business Information, Inc.
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Product details
Paperback: 288 pages
Publisher: Vintage; First Edition edition (May 7, 1991)
Language: English
ISBN-10: 0679732276
ISBN-13: 978-0679732273
Product Dimensions:
5.2 x 0.8 x 8 inches
Shipping Weight: 7.2 ounces (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
19 customer reviews
Amazon Best Sellers Rank:
#144,757 in Books (See Top 100 in Books)
Autobiographical, starts off very personal then becomes increasingly political. I never met him and he was probably inventing his persona, but the voice he's telling his story in just sounds so natural to me. I loved it. It felt like he was in the room. If you're looking for a life story that reads almost like a novel and tells how the artist got from A to B to C, this is not it. It's much more like you're just meeting someone at a party who likes to talk a lot, and you end up listening all night, and you still only know a little bit about them by morning, but that's okay.
Close to the Knives is an urgent incendiary memoir, grounded mostly in feeling, that mixes forms, calling into question how documentation and archives function in relation to queer memories and experience. Linear heterosexual time, which dictates the expected linear beginning to end narrative form is completely warped by queer time and so the memoir “drifts†across spaces and decades and in and out of surreal dreams. Suicide and death burst unabashedly forward from its pages and made me cry. At moments the memoir is so poetic and abstract I was wandering through a confusing fever dream where time moved like thick hazy wisps of smoke. Other moments are concrete, detailed and specific and time runs out like an apocalypse; sharply clocked by the tick of corpses and the tick tock of dead friends and the ticking ticking tick tock of his own fading health and deteriorating body.Would recommend listening to the book on audible for a powerful, moving, sonic experience!
Enter the young male prostitute, performance artist, author, street monger, and angry prophet. He was all of these things and more until AIDS finally claimed him. But with Close to the Knives, he has left us all a very precious legacy--a frame of reference that begs us to truly witness the politics of suffering in American society and become more compassionate in the process. His omnivorous approach to our culture is dizzying, enraging, mysterious, beautiful, dangerous, heartbreaking, and very very necessary. When I finished reading it, I turned it over and started again. I will never be the same.....I have been galvanized.
Great read.
Just what we wanted
This book changed my life.
Incredible book of amazing depth and heart-wrenching power. I love this book. It inspired me to make a comic about him.
David Wojnarowicz had the microscopic observations of a child. His descriptions were extraordinarily finely detailed and nuanced. But they were direct and stark too. His insights were fascinating. His narrative didn’t so much flow, as roll like a boulder. This is sharp, even piercing writing from a totally off kilter perspective. Most of us do not see life this way.His world was peopled with damaged friends. He said everyone he knew came from a family of abusive parents, not least his own. His friends were all on the edge, leading fringe lives in which they all psychoanalyzed each other and the country at large from painful perspectives. They lived bizarrely. There was a lot of violence, a lot suicide, and a lot of AIDS. There is constant sex, sometimes romantic, usually brutal, often filthy, always craved.He was never truly happy, but he was happiest outside his nonexistent comfort zone. “Transition is always a relief. Destination means death to me. If I could figure out a way to be forever in transition, in the disconnected and unfamiliar, I could remain in a state of perpetual freedom.†That’s the best definition he could admit to, and it’s more than most could own up to.His thoughts and dreams were populated with hallways, often long, often dark. I’ve never seen the word hallway so many times in a book. Uncertainty played an outsized role in his short life.The second half of the book is less enthralling, because it is transcripts of interviews he taped of his friends. It is their words, not his. The interviews serve to bring them closer, before they die off in rapid succession. The hunger for more of Wajnarowicz’s own writing has to wait to the end, where he intersperses the description of a bullfight in Mexico with thoughts and reminiscences it inspires. And almost every paragraph admonishes us to smell the flowers while we can. He did not.Unfortunately for all of us, the last years of his life were consumed with caring for friends with AIDS, followed by his own case. His fury at the hypocrisy of the dominating government agencies and officials, and especially at the self contradictory and insufferable Church, enraged and changed him. We can’t even imagine what kind of writer he might have become without that ugly diversion. That is possibly an even greater tragedy.This will have to be eloquent enough.David Wineberg
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